![]() These themes reflect my interests in objects-a printed image may depict an object, but it is also an object within itself with recto and verso. What are some themes you find recurring in your pieces, intentional or not?Ī recurring theme within my practice is the motif of the still life, as well as collage. His name is Chris Bond, he has an incredible mind and technical ability when it comes to painting. I have a few mid-career artists I turn to for advice, one of which was my supervisor for my honours year. I had already been painting for a few years before I commenced art school both universities were positioned around ideas rather than technical training. ![]() Yes, I hold a first class honours from the Victorian College of the Arts and completed my undergrad in a small town in northern New South Wales. Chance provides a means to look outside ourselves, to escape our biases embedded in our personality by culture and history. To break knots of knowables is to give up intention or structure within a process. I think it's a phrase from George Brecht’s Chance-Imagery, which is a small pamphlet that explores the use of chance within modern art, from Dada and Surrealism to Jackson Pollock and philosophy. Chance is a way to break knots of knowables.Ĭhance provides a means to look outside ourselves, to escape our biases embedded in our personality by culture and history.Ĭan you speak more to ‘knots of knowables’? I go through periods where I employ these methods, followed by periods of more direct control as I grapple with my new discovery. For example, using gravity to determine the composition of a work by dropping cut-outs onto paper and fixing them where they land, or rolling a die to determine the sequence in which a series of works are installed. How do you incorporate chance in your creative process?Ĭhance has played a significant role at different stages of my practice. What is the most difficult part of the artistic process for you? The window between 1–6 pm is when I achieve the most - no interruptions for a few hours is ideal. I like to alternate between different tasks to keep things interesting. Depending on what I’m working on I could be stretching and preparing canvases, making collages, or starting a painting. There are so many incredible artists and galleries.ĭescribe a typical day in the studio for you. ![]() What’s your favorite part of living in Melbourne? I'm from a beachside town north of Brisbane, Australia I live and work in Melbourne, Australia. Where are you from and where do you reside?
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